I also use the historic pianofortes and grandpianos made by realsample (also not listed). But I find their historic Pianos very usefull (which sadly are all not listed) Pianoteq is technically impressive, but I do still here the difference between samples and their soundengine. The feeling of spontaneous inspiration by the apealing tone is what I pretty much love in respect to the Synthogy Steinways (aswell German as AC) an Synthogy Faziola, I cant remeber a moment when hearing a Synthogy Fazioli or Steinway without instantaneously like to go on playing it. Than they may be still clean and blown up with technical superlativ data, but simply still not musical inspiring at all (perhaps I might use their synchron Steinway once for Beethoven unless I find any other good but also musically more inspiring Piano), The VSL-Pianos tend to be mixed a bit overburden with ambiance, so when I use them i pretty much try to get rid of the exaggerated ambiance. While I do have a great respect for NI as a prolific company and as longtime Complete-User all of their stuff on my SSD, But I have never have been taken their pianos in any consideration at all, for their in my humble opinion mostly to thin and superficial tones) (The Maverick lacks in my humble opinion like the other NI-Pianos the right balance of deep warmth and clear detail of the characteristic telling overtones and their dynamic convincing variability. Since I do simply need a good Bechstein I have used the Bechstein digital Grand and now discovered the Soundmagic Bechstein 282 (which is not listed) as my currently favorite Bechstein.
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